Tyler Perry’s Madea

Matthew Spear

Dr. Juniper Ellis

EN346D.01 Seminar: Humor Studies

3 April 2023

Tyler Perry’s Madea

            Tyler Perry’s Madea is doubtlessly a divisive character in popular culture. A black man playing a large, loud black woman via the medium of drag performance is likely to turn heads no matter the setting. However, the book “Don’t Make a Black Woman Take Off Her Earrings” offers a unique perspective on this character as well as the insights she might offer. When I began reading this text, I expected, frankly, some cheap and punchy toilet humor on the part of Tyler Perry in order to further cash in on his wildly successful Madea character. But the prose I discovered was far more developed, using comedy as a medium by which to show the good attributes and deep flaws of a character that Perry says was “inspired by his mother and aunt.” By keeping this inspiration in mind we as readers may be able to gleam more meaning from Madea and her whims, and view her instead as a method by which Tyler Perry offers us more insight into his personal life and experience as a black person in America. Additionally, it shows us what he has been able to gather about his mother’s experience based on the way she treated him. In the book, Madea’s first memory begins with her contemplating the beauty of nature and then being beaten by her mother for getting distracted and not finishing the dishes. While it may be a valid criticism to distain Madea as a role model due to her flaws and some of Perry’s crass comedic stylings, it may be worthwhile to consider what that comedy tells us about Perry’s experience.


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