Tyler Perry’s Madea
Matthew Spear
Dr. Juniper Ellis
EN346D.01
Seminar: Humor Studies
3
April 2023
Tyler
Perry’s Madea
Tyler Perry’s Madea is doubtlessly a divisive character in popular culture. A black man
playing a large, loud black woman via the medium of drag performance is likely
to turn heads no matter the setting. However, the book “Don’t Make a Black Woman
Take Off Her Earrings” offers a unique perspective on this character as well as
the insights she might offer. When I began reading this text, I expected, frankly,
some cheap and punchy toilet humor on the part of Tyler Perry in order to
further cash in on his wildly successful Madea character. But the prose I discovered
was far more developed, using comedy as a medium by which to show the good
attributes and deep flaws of a character that Perry says was “inspired by his
mother and aunt.” By keeping this inspiration in mind we as readers may be able
to gleam more meaning from Madea and her whims, and view her instead as a method
by which Tyler Perry offers us more insight into his personal life and experience
as a black person in America. Additionally, it shows us what he has been able
to gather about his mother’s experience based on the way she treated him. In
the book, Madea’s first memory begins with her contemplating the beauty of
nature and then being beaten by her mother for getting distracted and not
finishing the dishes. While it may be a valid criticism to distain Madea as a
role model due to her flaws and some of Perry’s crass comedic stylings, it may
be worthwhile to consider what that comedy tells us about Perry’s experience.
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